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Run River North

Run River North

Hadley Kennary

Fri · May 3, 2019

Doors: 8:00 pm / Show: 9:00 pm

$13.00 - $15.00

This event is 18 and over

VALID GOV'T ISSUED PHOTO ID REQUIRED - NO EXCEPTIONS

Run River North
Run River North
When they first formed in 2011, LA-based band Run River North dubbed themselves Monsters Calling Home. Eight years later, the trio ofAlex Hwang (guitar/vocals), Daniel Chae (guitar/vocals) and Sally Kang (keys/vocals) have returned to the name — this time as the title of their upcoming EP, “Monsters Calling Home: Part One,”outin May 2019. A celebratory effort ushering in a new era for the band, after having recently evolved from a sextet to a trio, “Monsters Calling Home: Part One” is about finding hope in transition, discovering your voice in a sea of doubt, and deciding to dance despite sadness. “It’s learning to trust your own voice regardless of whatever's happening outside of you,”Chae says.Since the departure of three founding band members in 2016, Run River North have fought to reclaim their identity and their sound. With that came a reckoning: The trio were steadfast on returning to their roots and rebranding again as Monsters Calling Home as a way to separate themselves from the personnel changes. Instead, the EP’s title — and the music within it — became the vehicle to move past the anger and hurt feelings. “Having to go through three breakups, it was a shitty time,” Hwang says. “I just stopped wanting to write songs that were angry. It’s a good emotion to go through but if that’s what you’re left with that’s not a healthy place to be. The songs on the EP are more representative of how do you find hope and how do you find joy even if you have a right to feel angry. How can you find a reason to dance even when everyone is telling you it’s not the right time to dance?”Not just an Asian-American band or a group that relies on a set sonic formula, the EP continues to expand upon the band’s prior folk-leaning backbone. On lead single “Hands Up,” the band is at their most bombastic. The result of a co-writing collaboration with Hannah Hooper and Christian Zucconi of Grouplove — the duo’s first of such sessions —“Hands Up” pairs an earworm-y chorus with a front-and-center guitar melody, a second voice among Hwang’s lead bellow. Overall, the group utilizes more drum programming, dreamy synth, and dynamic production — a more expansive sonic palette. “Monsters Calling Home: Part One” is bookended by brother-sister songs “Casina” and “Casino.” A song with roots in the band’s days as a six-piece, “Casino” was written as the group’s former members began to phase out. A wistful and rustic intro builds into a walloping chorus: “I’m stuck in this casino / not much left for me.”It’s a song which serves as catharsis when reckoning with the forces that hold us down, a song inspired by Hwang’s mother’s cancer diagnosis. “At the time it was this big middle finger to cancer or anything you felt was giving an absolute statement to people’s lives,” he says. “Casina,” on the other hand, was borne out of a late-night studio session between Chae, Kang and their producer, Miro Markie. Aiming to re-work “Casino,”“they handed me a microphone and they were like, ‘Try singing,’” Kang remembers. Her take on the song’s chorus added an air of whimsy balancing Hwang’s belt. The pair ping-pong verses and lines, creating a push-pull of dizzying tension. “I think this may be the first song that we don’t have a lead vocalist in a song,” Chae says. “When Sally wrote her part on this song it was the first time we thought this might be something. That’s the moment I can point to that was really exciting for this EP. It’s a linchpin for this EP.
With the energy of “Casina”— and Kang finding her voice — in mind, Run River North move forward as a true collaborative effort unthwarted by ego and pretense. No longer held back by fear or discontent, Run River North persevered through pain and came out on the other side victorious wearing a newfound confidence. “It became about who is in the band,”Hwang says, “and now it feels like Sally, Daniel, and me being very comfortable in our own skin.”
Hadley Kennary
Hadley Kennary
Hadley Kennary is a singer-songwriter whose music is a folk/pop blend of heartfelt, clever lyrics and infectious melodies. Kennary, appropriately pronounced like the bird, started writing music when she was just 14. Now 23, she has graduated from the prestigious Berklee College of Music, independently released an EP and full-length album, and is gearing up for her next EP release. Her warm sound is refreshingly honest and contagiously catchy.

She has graced stages around the country such as SPACE in Chicago and the Bluebird Cafe in Nashville, as well as several shows in Ireland and the UK. She also appeared on ABC Chicago's "Windy City Live" in July 2014, where she played to an audience of 250,000+. Most notably, she was named a finalist for the Rocky Mountain Folks Festival's Songwriter Showcase in 2015 & 2016 and the Telluride Bluegrass Festival's Troubadour Songwriting Contest in 2015 & 2016, winning 2nd place in June of 2015.

Hadley lives in Nashville, Tennessee where she continues to write, record, and perform live.

Her next release, "Momentum EP", will be available wherever music is sold & streamed August 24th.

"Having such a varied selection of songs to choose from, Hadley Kennary is undoubtedly a concert experience to attend. I stumbled upon Kennary (pronounced like "canary") while exploring listings for upcoming shows, and I'm glad I did. Not only does Hadley Kennary have a beautiful name, she makes some beautiful music." -DigBoston.com
Venue Information:
The High Watt
One Cannery Row
Nashville, TN, 37203
http://thehighwatt.com/