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Rock by the Sea: Christmas

Rock by the Sea: Christmas

Fri · December 7, 2018

Doors: 7:00 pm / Show: 8:00 pm

$30.00

This event is 18 and over

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David Bornè
David Bornè
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Steve Everett
Steve Everett
Born in Albany, GA, raised in Greensboro, NC, Steve blends acoustic guitar with catchy, melodic hooks and hip, clever lyrics to form his upbeat and fun musical style. Steve studied music performance at Appalachian State University in Boone, NC and plays stages ranging from The House of Blues, The Rock Boat music festival, all the way to acoustic home shows. He has been fortunate enough to tour the country (solo & full band) with national acts like Sister Hazel & Michael Tolcher. His most two most recent albums have been nominated for "Album Of The Year" at The 12th & 15th annual Independent Music Awards. Steve also loves film, golf, sports, cigars... & high-fives.
JD Eicher
JD Eicher
“The music that I’m writing and releasing is really mirroring who I am and where I am at that time in my life. It’s easy to perform songs when they’re very true.” So says JD Eicher, the Youngstown, OH-area born and bred musician who is set to release The Middle Distance via Rock Ridge Music on May 6, 2016. “I’m really glad that my career has taken the longer, ‘scenic’ route, because the music I’m writing now has a certain truth to it that I’m not sure I would have found otherwise.”

The Middle Distance marks the first album Eicher will issue since sunsetting the moniker, JD Eicher & the Goodnights, used on the trilogy of titles, The Shape of Things, Shifting, and Into Place, released previously. Why the change? Eicher explains: “It's really just a shortening of the name. The band is still together, and this was a careful decision we made together. It felt natural with the conclusion of our album trilogy project, the personal nature of this new music, and a desire to simplify.”

Eicher has noted that the common themes running through his previous three releases are “love, hope, and acceptance.” Common sense would call for speculating whether there is a common thread that ties together the ten songs found on The Middle Distance. “Not a premeditated one,” he is quick to clarify. “I really wanted to just sit down and write the best songs I could, saying what I needed to say at the time. It’s more of a journal entry/diary-type approach this time around.”

With that as a forward, the first chapter of Eicher’s aural journal begins with nearly one minute of U2-ish guitar that sets the sonic table for the album opener, “This Heart,” in which he sings, “All my fears, all my worries, are alive and well inside this heart.” Eicher expounds, “This whole record - and definitely that song – is moodier, and there’s a lot of internal struggle, internal processing. When you hear the song title, ‘This Heart,’ it sounds like it’s gonna be a love song, but it’s really more about coping and figuring out how to get past whatever you’re dealing with in that moment.”

Songwriting and superb singing are at the center of each track on The Middle Distance, exemplified by the lyric line “Maybe we’ve been trained to wash, rinse, and then repeat” and the heavenly falsetto vocals found on “Be Well,” a song which sounds like it would fit perfectly into Death Cab For Cutie’s catalog. An audio oasis to the overall “moodier” sound of the record is refreshingly felt when the soundscape lightens up for the bouncy “The Little Bit,” which musically and lyrically has a Jason Mraz vibe to it, most notably on the playful line, “I didn’t write any lyrics for this part of the song… everybody relax.” Eicher’s songwriting gravitas shines in the more serious selections - “Not Everybody Runs,” a sonic commitment to, well, commitment; “Not Afraid,” in which abstract fears about our dreams not coming true, relationships going wrong, internal struggles and pressures, letting your guard down and being hurt, and failure are all tackled; and “Man of Faith,” in which Eicher espouses the somewhat ambiguous supplication: “And I’m pretty sure my heaven’s just the answer to my questions.”

Far less ambiguous is how much Eicher’s Rust Belt upbringing seeps into, or serves as, the foundation of his songwriting. “I think it definitely affects the music,” he affirms without hesitation, “even in the way I approach touring and my overall work ethic with songwriting and recording. There’s a world-wariness that comes out of this area that gets into the songs. I think there’s a realism that comes out of this part of the country, too, and I think that gets in there as well.” It’s no wonder that Pittsburgh, not far from his hometown of Youngstown, has embraced the performer and his music as their own.

With his band, The Goodnights, Eicher’s soaring and graceful pop-rock songcraft garnered favorable comparisons to Coldplay, Keane, The Script, The Killers, and Death Cab for Cutie. Alternative Addiction named the group one of the top 10 unsigned bands. Virgin America Airlines used one of the band’s songs in the teaser for the airline’s movie, Departure Date. Live, JD Eicher & the Goodnights shared the stage with such diverse and respected artists as the Dave Matthews Band, Coldplay, Train, Maroon 5, Hot Chelle Rae, Pete Yorn, Anberlin, Rod Stewart, Bryan Adams, Kelly Clarkson, Cartel, Sister Hazel, and Matt Nathanson, among many others.

Now facing a new morning with the added weight of offering up The Middle Distance with just his name on the album cover, does Eicher like the way the shape of things have shifted into place (to borrow a phrase from past album titles), both personally and professionally?

“Yeah, definitely. I do feel a lot more firmly-rooted. I feel like there’s a lot less doubt. I know who I am a lot better than I used to, and a lot of my life is starting to make more sense. I’m married now. We’ve got a house. The real world stuff has come together in a really meaningful way. And my musical life mirrors those sentiments as well. This was the first time I felt comfortable producing a record on my own. I knew how I wanted it to feel, start to finish.”

For those reasons and more, it’s fair to say The Middle Distance is destined to take JD Eicher even farther than where he’s at today. That prospect makes it a near certainty that his steady pace to the top will likely result in him experiencing the musician’s equivalent of a long distance runner’s high.
Lost Elevators
Lost Elevators
The Georgia Flood
The Georgia Flood
Groove-heavy and Genre-bending, The Georgia Flood’s music has changed significantly over the years. Their new album People Like Ourselves draws on indelible melodies, clever lyrics, and an infectious energy; weaving together an EP that hits all the right notes. The Atlanta based duo, Lane Kelly and Brooks Mason, are brothers who began playing when they were seven and nine years old. Hustling birthday parties and family reunions the brothers changed sounds numerous times through their teens. Drawing on their exploration of numerous genres, their songwriting channels classic guitar riffs and modern pop sensibilities.

Self-financed the band went into Jason Hoard’s Black Cat Studio early 2016 to put together the seven songs contained within their new EP. Don’t let the EP status fool you though, the band toiled over 30+ tracks to carve out their favorites, coalescing into seven songs that journey through themes of love, good times, and tragedy. “We had a really tough time choosing between a few” explains Brooks, The Georgia Flood’s lead guitar player and singer, “We had so many songs that really brought the listener to amazing moments”.

“Whistle King”, the records prominent single, encompasses much of what the record is about. “On the surface it seems sort of nonsensical and fun but the song really describes how crazy our lifestyle is on the road,” explains Lane, who plays bass “playing in an indie band is a constant state of discovery. Lyrically, Whistle King exemplifies a lot of the exhilaration and frustration.”

Their new album now out, The Georgia Flood will be touring nationwide in 2017. With a dynamic live set, the band intends to bring their music to ears the good old fashioned way, one bar at a time.
Venue Information:
The High Watt
One Cannery Row
Nashville, TN, 37203
http://thehighwatt.com/