The Unofficial Nashville Pride Month Kick-Off Show

HOUSEQUAKE + RNBW present

The Unofficial Nashville Pride Month Kick-Off Show

Sat · June 2, 2018

Doors: 7:00 pm / Show: 8:00 pm

$10.00

This event is 18 and over

Shelly Fairchild
Shelly Fairchild
Shelly Fairchild isn’t new to the industry – but she’s far from old news. And of her latest release Buffalo she wants everyone to know: “This is the most honest record I’ve ever made.”

So it is. A staple in the Nashville music community, Fairchild hit the scene to much acclaim with her debut album Ride. The project introduced the young artist’s soulful, gospel-tinged brand of alternative country and spawned a Top 40 hit with “You Don’t Lie Here Anymore.” She toured with some of the biggest names in the format, including Rascal Flatts, Keith Urban and Tim McGraw, and began to dig her roots in the industry. She again found success in her second release, Ruby’s Money, which came steeped in a thick groove with elements of funk – but it’s Buffalo that marks a milestone in her life and career.

“I’m sincerely grateful for both the good and bad things that have happened in my life. Everyone that I’ve met and worked with over the 20 years that I’ve lived in Nashville has made me who I am, and I will always carry that in my soul,” says Fairchild.

The Jackson, Miss. native started the project in May 2014, launching a PledgeMusic campaign in the hopes that she would find support of her endeavor – and after reaching her goal in just two days, she realized she had. Though fully funded and buoyed by the faith of her friends, family and fans, Fairchild found herself at a creative standstill.

“When I first started this process I met with a lot of publishers in town,” she recalls. “I was in such a writer’s block that I thought I’d just cut outside songs. I took meetings and heard so many great songs – and honestly, I went in my first session and cut several of the songs that had been pitched to me. But at the end of that recording day I just thought, ‘That doesn’t feel like me.’”

The next two years saw Fairchild working through the impasse with some of her most inspirational industry co-writers. “House on Fire,” an aching ballad reflecting on the weight of one’s past, was the first song that she remembers finishing and feeling confident that it deserved a spot on her record. Co-written by Fairchild along with Lisa Carver and Travis Meadows, the track features subtle but classic country instrumentation and the soft harmonies of the Fairground Saints.

From there the singer/songwriter continued to pen songs that she felt carried an important message toeither herself or the world around her. Initially concerned that the results wouldn’t be cohesive on an album, her co-producers Jeremy Lister and Carey Ott encouraged her to see how they fit together. Guided by Lister and Ott, Fairchild eventually decided to cut eight of her co-written tracks for the record. One of the most sincere is her gospel-infused call for change, “Why Can’t We Carry Each Other?”

“My co-writer Kevin Scott Rhoads and I discussed the state of the heart and how people’s souls are wrapped up in such negative things so often – and what’s the point of that?” she asks earnestly. “Because we’re all just trying to get to the next place. And whether or not you believe in heaven or anything, we’re trying to get to a better place. And if we’re all trying to get there, why can’t we just help each other?”

The duo teamed up once again to write “Unholy Spirit,” a piano-backed lamentation of a relationship marred by addiction. A subject not often addressed in country music, she wanted to express “what it is like to worship something that is completely killing you.” Though she tackled some serious topics in her writing, Fairchild also felt uplifted by her own work and that of others.

One of the most standout tracks on Buffalo, the blues-ridden up-tempo tune “Mississippi Turnpike,” came in the wake of a breakup. Her co-producer Carey Ott sent Fairchild the song, written by himself and Tim Lee Jones, as she was driving home to her family and she knew immediately that was just the song she needed. Upon recording the song with Ott, Fairchild heard that it was missing one key element: Lucie Silvas.

“I love singers,” she smiles. “I love great singers. I love to have camaraderie and deep friendships with great singers and musicians. I feel like our community here is so rich and some of my favorite voices are my friends. I was able to reach out to artists like Lucie and Wendy Moten and ask if they cared to sing on my project.”

Not only does the record emphasize its diversity by featuring guest vocalists, but it also highlights a wide array of musical styles and influences.

“There are a lot of different elements to the music,” agrees Fairchild. “How do you describe some of the best bands that you know? They ended up on pop radio or on country radio, but are they really that kind of act? I like having a lot of differences and having them come out. It feels like that kind of music lasts longer, because it feels real.”

With such diversity in vocalists, genres of music, subject matter and even writers, it’s little wonder that the seasoned artist was worried about the cohesiveness of the project. It was the overarching theme of the buffalo however, that brought them all together.

“I feel like the last five or so years, I’ve kind of been trudging through a lot of muddy water,” she admits. “The journey has felt so murky and muddy that I thought I might just want to call the album that – Muddy Water – but it seemed too cliché. So my manager and I were researching what might exist around that idea, and that’s when we found Buffalo.”

In many Native American cultures, the buffalo symbolizes gratitude and abundance. Fairchild, who has Choctaw ancestry, connected with the idea that though buffalo carry a lot on their shoulders, their horns are always pointing up to the sky.

“There’s always this hope that the weight will be lifted,” she says. “I felt like, as we were reading about it, it seemed so crazy that we would call it Buffalo. It had nothing to do with any of the songs – but it had so much to do with where I had landed at that point in my life.”

A longtime hidden gem in the trove of Nashville musicians, Fairchild continues to keep her head and her heart pointing up to the sky. Between singing background vocals for the likes of Jason Aldean and Martina McBride, touring across the country and continuously working on future projects, it is clear she is just getting started.

“At times I’ve gotten down about my own path, but when I look at it – it’s not full of detours or dead ends,” she said. “It’s a wide path, and it’s full of a lot of amazing things.”
Stasney Mav
Stasney Mav
Caroline Shumate has been playing music since the mere age of 8 - teaching herself guitar, drums, bass, and piano. After putting down music after high school to focus on higher education, her passion for music overtook her and Shumate dropped out of college and moved to Nashville. Originally focusing on drums, the multi-instrumentalist had an epiphany while touring with another artist: she wanted to create her own music. After fronting a handful of bands, this is the year the Nashvillian is doing things for herself - making music with her own vision.



With years of working as a musician, and subsequently getting to know herself better, under her belt, Shumate is ready to take that leap and show the world who she really is. Under the moniker Stasney Mav, the singer-songwriter is showcasing her creativity rather than someone else’s vision.



“I was so focused on results in past projects that the only thing I wanted to focus on with this project is to set goals for myself and hit them,” Shumate explains. “This project is for the 14-year-old- me who stayed up until 3am practicing a guitar solo until it sounded exactly like the recording. It's for the 17-year-old-me who was told countless times ‘you're pretty good for a girl’ from some blowhard music store employee. It's for the 20-year-old-me who had no idea what she was doing with her life, she just knew she was miserable and needed to do music and left everything behind to do exactly that.”
Houston Kendrick
Houston Kendrick
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James Droll
James Droll
Bad Luck, a five-track EP, is James Droll’s debut solo project. This collection of soul-searching songs explores the heart after the fall of a relationship, something that connects anyone who listens. The dark pop tunes are filled with stunning lyrics, tight harmonies, and swelling chords that reach right into the heart and twist with the sweetest of pain.

Recounting sleepless nights praying for even the shortest rest, feeling for the warm body and finding only an empty space in the bed, and finally beginning the healing that does eventually come, Bad Luck is all of us. Droll’s voice whispers, soars, devastates, and soothes. And in the end, we learn with him that luck, like life, is a balance. With the bad comes the good, and rebuilding is not only possible—it’s inevitable.

Produced by Joshua Niles (Sheryl Crow, Jason Isbell, Barenaked Ladies), Bad Luck will be released on January 13, 2017. A Friday, of course.
Joy Oladokun
Joy Oladokun
Joy Oladokun, is a singer/song-writer from a "small farming town in Arizona" who combines the sounds of roots rock, with folk songrwriting and a voice that oozes with soul and honesty. Her debut album, "Carry", ranges from a stripped confessional ballad about being brave enough to leave a lover, to an electrifying rock number that will take you back to 1975. Her eclectic style doesn't take away from her mature and authentic lyricism, however. When Joy writes and sings, you hear the voice of someone who has lived the song and is willing to re-live it again and again everytime she performs it.
Jeff Carl
Jeff Carl
After a flourishing 2016, filled with Jeff’s move to Nashville from NYC, a sophomore EP release (called Survive), an east coast tour, music video premiere, regular radio rotation, a successful online cover video series, and a handful of local performances in Nashville, Jeff went charging into 2017, performing at SXSW as part of The Nashville House and traveling to Sundance Film Festival for a unique songwriting showcase. The rest of the year was spent entirely in studios, reaproaching and reinventing his sound and songs for a brand new chapter of music. Through months of exploration with renowned Nashville producers, exploring a more synth-based, pop-centered soundscape, Jeff discovered a whole new universe for his songwriting, which brings us to now. 2018 is Jeff’s year to share his evolution from his piano-centric, singer/songwriter roots into a more confident, complete alt-pop powerhouse. First up to bat is his CAGES EP, due March 2018, introduced first by his single “Roam”, perfectly capturing the triumphant push forward in Jeff’s journey.
Venue Information:
Mercy Lounge
1 Cannery Row
Nashville, TN, 37203
http://mercylounge.com/