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AC Entertainment presents


Noah Kahan, Kat Cunning

Fri · March 9, 2018

Doors: 7:30 pm / Show: 8:30 pm

$20.00 - $22.00

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This event is 18 and over

Sometimes, the songs know before the songwriter does. That was certainly the case with LP's newest release, 'Death Valley,' a heartrending collection mined from the deepest reaches of her subconscious. Without fully realizing it at the time, the New York native was grappling with the fallout from a crumbling relationship in her music, putting together the pieces and learning to navigate a trying time of loss and struggle before she'd actually even embarked on the journey.

"I was feeling uneasy, like I knew that something was wrong," reflects LP, who now calls LA home. "I got a lot of material out of that ominous, foreboding feeling I had."

The 'Death Valley' EP, a preview of her forthcoming full-length on Vagrant Records, follows LP's 2014 major label debut, 'Forever For Now.' With its instantly recognizable single "Into The Wild," which was omnipresent as the soundtrack to a Citibank ad campaign and racked up nearly 10 million streams on Spotify alone, the record was a breakout critical smash. The Wall Street Journal raved that she was "knocking on stardom's door," Elle dubbed her "rock's next big thing," and USA Today praised her "serious pipes," while Vogue hailed her "penetrating voice and Dylan-goes-electric swagger," and BuzzFeed offered simple instructions: "buckle up and press play." She made the rounds on late night television, with performances everywhere from Letterman and Kimmel to Craig Ferguson and Carson Daly, and she wowed festival crowds from Austin City Limits and Bonnaroo to Hard Rock Calling and Lollapalooza, showcasing what the LA Times described as "the kind of show-stopping, booming voice that draws standing ovations." Martin Guitar even invited her to become the first woman—and the first ukulele player—to join their prestigious Ambassador program.

Though the album was her debut for a major label, LP was by no means a stranger to the music business. She had a track record of hits to her name as a songwriter, penning tunes for Rihanna, Christina Aguilera, Rita Ora, the Backstreet Boys and more. But 'Forever For Now' showed a new side of her artistry: more personal, more intimate, and fueled by her singular, stop-you-dead-in-your-tracks vocals.

"Writing songs for other people, when you get that right, you make a connection with the artist and you help them connect to the world," she reflects. In an interview with CNN, though, LP explained the difference in writing for herself, describing 'Forever For Now' as "a bunch of songs I feel only I can sing."

The same can be said of the five tracks on 'Death Valley': any writer would kill to have penned these songs, but only LP could sing them. And if she learned anything from her debut, it was to trust her instincts about what makes her own music so unique.

"I did this record much like I did the last record, except this time around, we just fine- tuned and sculpted what was already there in the demos rather than starting from scratch and re-recording everything," she explains. "I work with such amazing people that the level of talent is so high from the get-go, and I didn't want to lose that initial burst of what makes the songs special or risk overproducing them. We built off of the palpable energy and the initial thrust of the tracks instead of ripping them apart and examining them so hard that they lost their spontaneity."

It's a formula that pays off in spades on 'Death Valley,' which finds LP teaming up with her longtime collaborators Mike Del Rio of POWERS, who produced most of the tracks, and Nate Campany, who co-wrote several songs. The EP begins with an ominous, rhythmic rattling chain that sucks you deep into opener "Muddy Waters" and sets the stage for the journey to follow. Co-written with British singer/songwriter Josh Record, "Muddy Waters" rises up into a dark spiritual, a twisted gospel of confusion and desolation embodying the anxious sense of dread that presages the end of a relationship. In the infectious, atmospheric "Lost On You," LP alternates between an understated verse and a soaring chorus, belting out, "Let's raise a glass or two / To all the things I've lost on you" in a poignant moment of self reflection, while the title track channels her love of the Replacements' brand of reckless rock and roll, and the shuffling, whistle-fueled "Other People" is a sardonic kiss-off to an ex.

It's not all so bittersweet, though, as the uplifting "Strange" moves beyond heartbreak to a joyous, triumphant celebration of self-acceptance and love, with LP blissfully singing, "We are all strange / And it ain't never never ever gonna change."

"My natural propensity is toward being an upbeat person and writing in an inclusive, 'we're all in this together' kind of way," she explains. "I like the idea of music uniting people and galvanizing them. That song just kind of wrote itself in that way."

Perhaps that’s the humility speaking (LP is, after all, a remarkably hard worker, constantly bouncing between her own breakout career as an artist and the cadre of stars who count on her inimitable perspective as a writer), but the idea that songs can write themselves is central to 'Death Valley.' This was music that poured out of her before she knew what it was about, before she lived through the heartbreak and pain and ultimate redemption that inspired it. The songs on 'Death Valley' may have known what was coming before LP did, but you don't need to be clairvoyant to see the future awaiting an artist this charismatic and gifted.
Noah Kahan
Noah Kahan
From the rural solitude of the quiet town of Strafford, VT (Population: 1000), Noah Kahan discovered his penchant for songwriting early on. Long, cold winters in the Vermont backcountry were spent honing his craft in the rolling hills of his family’s 133 acre tree farm. This serene location provided the backdrop for countless adventures that ranged from typical boyhood antics to the more rebellious teenage exploration. The older that Noah got, the more he began to feel the pull of adulthood clash with the familiarity of his adolescence. Drawing heavily from these experiences, Noah’s songs are laced with a youthful wisdom; nostalgia and whimsy taking a back seat to honesty and wit. He meets this conflict head on by acknowledging the loneliness of this new phase of his life coupled with his desire to stay true to himself. Noah’s writing reflects the all too universal feeling of being lost in one’s own backyard and foreshadows the excitement that comes with a leap into the unknown.

Now 20 years old, Noah once again finds himself deviating from the norm. As he follows a dream as old as he can remember, his childhood friends are choosing majors and preparing for more conventional careers. No stranger to feeling lost or isolated, he now chooses to embrace the uncertainty as fuel. The lyrics to his debut single ‘Young Blood’ read as a letter of encouragement and advice to himself as he embarks on this new adventure. He reminds himself to “be surprised, keep hungry.” Throughout unexpected challenges and new revelations, Noah is staying true to his nature; questioning everything and enjoying the ride.
Kat Cunning
Kat Cunning
(Katrina Cunningham) is a singer-songwriter, choreographer and actress. The queer, sex-positive artist sways in and out of metaphor and "wistfully frays at the edges... sparking a truly promising artistic vision in the process." as described by The Wild Honey Pie of her latest single, Wild Poppies. She frequents Sleep No More as the Master of Ceremonies and recently collaborated with Juno Calypso as the only live component in Refinery 29's SOLD OUT "29 Rooms". Her singles, "BABY" and "Wild Poppies" are out now on SPOTIFY.

The SUNY Purchase Dance Conservatory Grad got her start in Baroque-Burlesque Operas with Company XIV and made her dramatic debut playing Emilie in Les Liaison Dangereuses with Janet Mcteer and Liev Schreiber on BROADWAY. She made her official BROADWAY Debut in 2016 playing Lila in Cirque Du Soleil's, PARAMOUR, for which she co-wrote Lila's score.

The New York Times has described that the "standout spots belong to the sultry-voiced Katrina Cunningham who brings an exquisite indie-siren quality..."
Awards: Best Actor for Nothing Serious, 2016 Traildance Film Festival
Best Supporting Actor Pepper and the Salt Sea, 2016 Damn! Series
Venue Information:
Cannery Ballroom
One Cannery Row
Nashville, TN, 37203