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Maradeen

Maradeen

Dead 27s

Sat · August 26, 2017

Doors: 8:00 pm / Show: 9:00 pm

$7.50 - $12.00

This event is 18 and over

Maradeen
Maradeen
Maradeen is an American rock band based out of Nashville, Tennessee. Founded by guitarist, Whit Murray, in the summer of 2014 with keyboardist, Kaitlyn Connor, and bassist, Sterling Miller, the band formed their initial roots as a high energy rock n roll quartet. With classical and jazz improvisation backgrounds they forged and evolved a unique and well-versed sound. In 2015 Tom Galloway moved to Nashville for songwriting and began collaborations with Murray. The band entered the analog studio "Welcome to 1979" in the spring of 2015 and recorded their first full-length LP entitled, "Mirage". The album features the initial hard-hitting rockers from the band's formative stage while revealing the new songwriting dynamic between Murray and Galloway.

Although the band was new to the scene at this time, the origins of Maradeen run deep. Murray played lead guitar for Galloway's band, Mama's Love, between the years of 2009-12. During this time they toured nationwide, developed a devoted fanbase, and recorded with renowned producers Tom Tapley and John Keane. Galloway continued fronting Mama's Love while Murray extended his education at The Berklee College of Music. Mama's Love had shared the stage with the progressive rock band, Afro, several times in the past which featured Connor on keys. Connor met Miller through the MTSU music program where Miller majored in audio engineering and played with bands Harrison Anvil and The Bourbon Barrel Band. Whit met Russ Garner, who was also a Berklee College graduate, at an open jam in Nashville one evening. Garner played with the Larry Mitchell Band which had also crossed paths with Mama's Love in the past. A long line of history, coincidence, and mutual passion brought together the group, and they continue to make strides as they climb the mountain of music.
Dead 27s
Dead 27s
On their debut EP, Dead 27s brilliantly infused rock-and-roll and classic soul with both raw energy and refined musicality. Now with their first full-length effort Ghosts Are Calling Out, produced by Ben Ellman (a member of the funk/rock act Galactic) and mixed by Mikael “Count” Eldridge (a producer/engineer whose past work includes releases by Radiohead, the Rolling Stones, and a Grammy Award-winning effort from Mavis Staples), the Charleston-based band expands their sound by pursuing their passion for loose and joyful experimentation.

Working with a treasure trove of obscure and vintage lo-fi gear, Dead 27s have widened their sonic repertoire to offer up an album that’s boldly inventive but rooted in pure emotion. The follow-up to 2014’s Chase Your Devils Down—an EP praised by the likes of No Depression, who remarked that “you can feel their music in your bones”—Ghosts Are Calling Out builds off its predecessor’s earthy sensibility and gritty spirit. But while Dead 27s maintain their soulful melodicism and knack for heavy grooves, the new album finds the band crafting gorgeously warped textures that take their music in a thrilling new direction. “Making this album, we wanted to push ourselves and bring much more attention to detail to the production—and at the same time have some fun with all these weird, distorted sounds and tones that we were coming up with,” notes Mullinax.

After releasing Chase Your Devils Down in spring 2014, Dead 27s earned the Charleston City Paper Music Awards’ Song of the Year prize two years in a row, ranked in the top 24 of VH1’s “Make a Band Famous” competition, and opened for such artists as Earphunk, Galactic, The Revivalists, Marcus King Band, and Tab Benoit. Fast gaining a reputation as an incendiary live act, the band devoted much of 2015 to touring as well as writing and pre-producing material for Ghosts Are Calling Out. With each show serving as a breeding ground for creativity, Dead 27s mine much inspiration from their time on the road. Through that near-constant writing and performing, Dead 27s have vastly strengthened their creative connection and pushed the boundaries of their musicianship. “We’ve always worked in a way where everyone adds their own flavors to the songs, but this album was much more of a collaborative effort,” says Evans. “Each one of us was more heavily engaged in the whole process, and we ended up trying new stuff that we’re all really excited about and that goes way beyond just having some good new songs to put out."
Venue Information:
The High Watt
One Cannery Row
Nashville, TN, 37203
http://thehighwatt.com/