deafheaven

LIVE NATION PRESENTS

deafheaven

This Will Destroy You, Emma Ruth Rundle

Wed ยท March 8, 2017

Doors: 7:00 pm / Show: 8:00 pm

$19.00 - $21.00

This event is 18 and over

deafheaven
deafheaven
Deafheaven is a California-based act that has garnered acclaim for their signature hybrid sound of black metal, shoegaze, and post-rock. On October 2 the band will release their next album New Bermuda on ANTI-.

George Clarke (vocals), Kerry McCoy (guitar), Dan Tracy (drums), Stephen Lee Clark (bass), and Shiv Mehra (guitar) recorded New Bermuda live to tape at 25th Street Recording in Oakland, CA and Atomic Garden Recording in East Palo Alto, CA in April 2015. It was produced, engineered, mixed, and mastered by Jack Shirley who has worked with the band on their previous releases. Clarke says that he came up with the idea of "New Bermuda" to describe a new destination in life, a nebulous point of arrival, and an unknown future where things get swallowed up and dragged into darkness. The album artwork for New Bermuda is an oil painting, dense in brush strokes of darker tones and deep blues, by Allison Schulnik. The layout was designed by art director Nick Steinhardt.

Formed in 2010 in San Francisco, California, the band has released two studio albums on Deathwish; Roads to Judah in 2011 and their lauded Sunbather in 2013. Sunbather received accolades from NPR on their Favorite Albums of 2013 list, a coveted Best New Music at Pitchfork, the Best Metal Album of 2013 per Rolling Stone, a 9/10 star review from Decibel Magazine, and it was the highest rated album of 2013 according to Metacritic. Deafheaven have spent the last two years touring extensively nationally and around the world with shows in Australia, Japan, Asia, Europe, Russia, the UK, and Canada with festival appearances at Pitchfork, Bonnaroo, Primavera, Roskilde, Fun Fun Fun, FYF Fest, SXSW, Basilica Sound Scape 14, Corona Capital, ATP Iceland, amongst others. Deafheaven will perform August 8 at Heavy Montreal in Canada. Details on a forthcoming North American tour are soon to be announced.
This Will Destroy You
This Will Destroy You
Since 2004, This Will Destroy You has been forging some of the world's most brutal, dynamic, and precariously visceral instrumental rock. In addition to a vigorous tour schedule, their celebrated discography and critically renowned soundtrack work for feature films and documentaries have earned them a sizable and fervent international following. Another Language, TWDY's fourth full length LP, marks their euphonious return from a prolonged vacuous dark period that threatened to break both the band and the members themselves. Rather than be stifled by their experience TWDY were atomized and subsequently made anew, emerging with a revived energy and reinforced sense of solidarity. As a result, Another Language captures the band at its most potent, honed, and utterly powerful form yet, displaying an edified unity and graduated sense of song-writing, tonal complexity, and studio prowess.


TWDY's new found clarity of vision would come after a state of near dissolution that ensued after the massive success of their 2006 debut Young Mountain and 2008's eponymous follow up. Personal struggles, growing pains, the loss of band members, and a series of close, untimely tragedies set the tone for what would be the band's darkest and most introspective album yet, 2011's Tunnel Blanket. The following two years stress tested the band to the point of ruin; consecutive continent-hopping tours as well as the pressures of matching their previous two albums' accomplishments took a nearly unbearable toll. TWDY's spirits were lifted when both independent filmmakers and Hollywood began to eye their discography for prominent placement in several critically acclaimed films, including the Oscar-winning Moneyball. The arrival of 2013's Live in Reykjavik triple LP was warmly received by fans and critics alike, further rejuvenating the band after years of relentless, grinding tours. In October of 2013 TWDY returned to Elmwood Recording, once again working with engineer John Congleton, fully prepared to construct their next work from the inside out.


From the opening moments of Another Language it is clear that the band has achieved its aim. The reflective opening dialogue of guitar, choral-like organ, and shimmering Rhodes on New Topia float over nuanced warbling swells of tape before being completely disintegrated by a shock wave of blistering guitars, bass, and locomotive poly-rhythms. These peaks and valleys of emotive dynamism are expertly guided by the dexterous drum work of Alex Bhore, who offers up droves of ghost-notes and compounded cadences that energize the album with a fully realized freedom of movement. The band's frequency spectrum now extends to new heights via adornments of tubular bells, microcassette manipulations, and washes of tuned feedback by guitarists Christopher King and Jeremy Galindo while bassist Donovan Jones ensures that the band's roots dig deep into the netherworld of sub-frequencies. An earthy realism can be heard throughout Another Language's nine tracks, as if all of its sound sources have been so heavily disguised under layers signal manipulation that their original form is weathered beyond recognition. Composition duties were shared equally more than ever, offering TWDY an opportunity to delve deeper into the writing process with an unprecedented level of cohesion.


Forced to redefine themselves as individuals, artists, and as a unit, TWDY's Another Language exudes a corporeal sense of the formidable journey, which was overcome in order to arrive at their newly galvanized state of confidence and artistry.


This Will Destroy You is Jeremy Galindo, Christopher King, Donovan Jones, and Alex Bhore. "Another Language" recorded by John Congleton, Alex Bhore, and Christopher King. Mixed by John Congleton except "The Puritain" mixed by Christopher King and Jeremy Galindo. Mastered by Alan Douches. Strings by Jonathan Slade. Art by Land.
Emma Ruth Rundle
Emma Ruth Rundle
Emma Ruth Rundle is a Los Angeles-based accomplished guitarist, singer/songwriter and member of Red Sparowes and Marriages. Her first official solo album, Some Heavy Ocean, presents a collection of impassioned, cathartic songs, exorcising the ghosts of one of life's dark detours. Melancholic, but equally hopeful and accessible, the album wears its emotions on its sleeve. One critic described Rundle's voice as "bone-chilling texture filled to the brim with intent", and a better description is difficult to imagine; when paired with her compelling guitar playing, an enduring spirit takes root.


In 2007, Rundle assembled the self-described folkgaze collective, The Nocturnes, for the purpose of performing her work. The following year, she was drafted into the monolithic post-rock supergroup, Red Sparowes. Touring the world playing the Sparowes' epic brand of instrumental heaviosity sparked a fruitful musical connection with fellow Sparowes guitarist, Greg Burns. When that band commenced a well-deserved hiatus in 2011, she and Burns (on the invitation of Russian Circles) instigated a new group, Marriages, who supported Circles in California and then promptly began recording a debut mini-album, Kitsune (subsequently released by Sargent House in 2012). Meanwhile, Rundle and friends as The Nocturnes reconvened briefly in 2011, issuing a full-length album, Aokigahara, while solo she recorded an album of experimental guitar compositions, tentatively made available online.


What followed was a "dark, difficult time", marked by family problems and personal struggles which, though exhausting emotionally, also incubated Rundle's conviction to use their inherent misery as fuel for expression.And so, in 2013, she literally moved into Sargent House's home studio in Echo Park, sequestering herself for two months while writing and recording what would become Some Heavy Ocean. Itself a taxing experience, the process of creating the album was fraught with problems and setbacks that, naturally, served to fortify its unmistakable air of sadness and desperation. Which isn't to say Some Heavy Ocean isn't equally optimistic or compelling. An apt title if ever one existed, the album swells and crashes, waxes and wanes, ebbing and, yes, flowing - the way all great albums do. The songs twist and sway like kelp forests drunk on its amniotic tide.


The album opens with the brief title track, "Some Heavy Ocean", a nebulous back-looped swirl of elements, like a painter steadily mixing their palette into a swelling cacophany of hues. "Shadows of My Name" arrives promptly, an acoustic hymn propelled by Rundle's breathy, quaking voice, recalling classic artists like Bjork and Sinead O' Connor at their most vulnerable. Emerging from shadow, the track spills open into a symphonic, reverb-tinted soundscape which, once fully envisioned, quickly vanishes. In its place steps "Your Card the Sun", an enigmatic whisper of a song, the brevity of which renders it de facto introduction to the album's next track, us-against-the-world manifesto "Run Forever". Anchored by an infectiously-memorable chorus, the "Run Forever's" timeless, expansive essence suggests Mazzy Star and late-era Swans, which may or may not be accidental. Utilizing Greg Burns' pedal steel, "Haunted Houses" follows a similar path, Rundle imploring the subject of her convictions, "Don't say it's not what you wanted", her sense of disappointment palpable. Side one closes with "Arms I Know So Well", an emotionally-charged appeal for someone to "deliver me from all the evil I do to myself" which, like so much of the album, simply bows out once its point has been made. Nothing on Some Heavy Ocean overstays its welcome. Decidedly more brooding and less percussive, side two opens with "Oh Sarah" followed by "Savage Saint", two subdued tracks punctuated by the string arrangements and additional vocals of Andrea Calderon (who appears elsewhere on the album, always with evocative effect). "We Are All Ghosts" rattles its cage, a thumping, rhythmic treatise on the human condition, before the bleak soundscape of "Living With the Black Dog" signals the album's imminent demise.


Some Heavy Ocean will be available on CD, LP and Download via Sargent House on May 20th, 2014.
Venue Information:
Mercy Lounge
1 Cannery Row
Nashville, TN, 37203
http://mercylounge.com/