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Sleep

Communion Presents

Sleep

Pinkish Black

Wed · February 1, 2017

Doors: 8:00 pm / Show: 9:00 pm

$25.00 - $30.00

This event is 18 and over

Sleep
Sleep
The words have failed them all. Since by the time you've read this far you've already read words that are intended to be touchstones but which do nothing but make it easier to not hear what should be all about hearing: their music.
So let's dispense with "stoner" and "doom" and while "metal" is a good catch-all even that does what SLEEP does an injustice. What SLEEP does and has been doing since 1990. Since San Jose. Since vocalist and bassist Al Cisneros hinted darkly at his next act after Asbestosdeath. Make something that was like something you had never heard/felt before even if you had heard/felt it before. Like wind or the yawning subsonic expanse of an earthquake: something undeniably large.
And like ragas, the songs were not just songs but movements and the movements trended toward the eternal. Almost time-wise too with songs that lasted as long as some entire records, which is as long as it needs to be to get short-sighted labels to drop you. And beyond time, the weight was equally significant. Heavy, sublime and not even a little bit ridiculous and whether or not these were influenced by the sacramental consumption of weed really misses the point.
While there may have been a few like them before them, there were none like them really and certainly none of after them. And so in 2009 when they were reborn with Cisneros who'd been reframing the world with the band OM, Matt Pike doing double duty with this and his HIGH ON FIRE, and the estimable Jason Roeder doing the same with NEUROSIS, SLEEP did what it had done and what it had left to do. Largely and without pause, make music in tune with The Ages.
Best to be enjoyed? Live and living. See, hear, feel, do it. Well, beyond just music and well into the experiential joy of pure being. SLEEP. Undoubtedly.
Pinkish Black
Pinkish Black
The early history of experimental duo PINKISH BLACK is as mournful and tumultuous as the band’s music. The Fort Worth, TX band originally formed in 2005 as a threepiece doom/jazz project known as The Great Tyrant, but The Great Tyrant never got the chance to release any music – in February 2010, midway through a battle with technical problems, the band’s bassist Tommy Atkins tragically committed suicide, bringing the album’s recording and production processes to a halt.

After Atkins’s passing, remaining members Jon Teague (drums/synths) and Daron Beck (vocals/synths/ keyboards) set out to redefine current conceptions of heavy music with an unorthodox and forward-thinking synth- driven approach, furthering the work they had started with The Great Tyrant. The band, now a duo, changed their name to PINKISH BLACK in 2010, and released their self-titled debut that same year on Handmade Birds. Pinkish Black was critically acclaimed, as was the band’s 2013 follow-up on Century Media, Razed to the Ground. In its review of the former, Pitchfork called PINKISH BLACK “a band that exudes promise,” while Stereogum called the latter album “an absolute stunner.”

Since Razed to The Ground, PINKISH BLACK have solidified both their confidence and their direction – they signed to Relapse in December 2014, and have steadily refined their songwriting and style over the course of the last two years. Though usually associated most closely with the metal scene, PINKISH BLACK have demonstrated an unflinching capacity to dip their toes in all sorts of disparate musical markets, from doom metal and industrial to post-punk and no-wave.

October 2015 will see the release of PINKISH BLACK’s newest opus, Bottom of the Morning,a 7-track dark music journey that runs the full gamut of influences PINKISH BLACK have touched on in the past as well as many new experimentations added to their palette. From the gothic, horror-movie-esque organ intro of opener “Brown Rainbow” to the wistful, fuzzed-out conclusion of final track “The Master Is Away,” Bottom of the Morning is simultaneously dark and catchy, dissonant and melodic, smothering audiences with heavy layers of distorted, repressive gloom that still end up as earworms despite their pessimism. It's as if Scott Walker and John Carpenter were having a bad acid trip with the Melvins, or if someone dipped PINKISH BLACK’s ambling, psyched-out space-rock influences in a vat of molten iron. Recorded at Echo Lab Studios in Argyle, TX by Matthew Barnhart and mastered by James Plotkin (Cave In, Electric Wizard), Bottom of the Morning stands to see PINKISH BLACK affirm themselves as one of the most interesting and far-thinking experimental duos currently active.
Venue Information:
Cannery Ballroom
One Cannery Row
Nashville, TN, 37203
http://thecanneryballroom.com/